{"title":"Releases","description":"\u003cp\u003eBrowse our Releases collection. Best Price.\u003c\/p\u003e","products":[{"product_id":"holy-friend","title":"holy friend","description":"\u003cdiv class=\"xmi5d70 x1fvot60 xo1l8bm xxio538 xbsr9hj xuxw1ft x6ikm8r x10wlt62 xlyipyv x1h4wwuj xeuugli x1uvtmcs\"\u003eholy friend\u003c\/div\u003e","brand":"dog eyes","offers":[{"title":"Cassette","offer_id":46037446361148,"sku":"umn1787252509388","price":6.4,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/6985\/2220\/files\/holy-friend_1.png?v=1787252517"},{"product_id":"its-glass-ep","title":"It's Glass EP","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDutch Interior write songs that expand upon release. The Southern California six-piece (comprised of Conner Reeves, Hayden Barton, Shane Barton, Jack Nugent, Noah Kurtz, and Davis Stewart), most of whom have known each other since childhood, create music that can feel both outside of space and time yet deeply connected to it.  2025’s Fat Possum full-length debut \u003c\/span\u003e\u003cspan\u003eMoneyball\u003c\/span\u003e\u003cspan\u003e, made within the confines of their self-built Long Beach Studio, showcased the band’s knack for connecting the dots, conjoining aspects of ambient, slowcore, experimental folk, southern rock and more into something both cohesive and inquisitive.  It’s music that has always considered the complexity of the world around them and the simple things that bind us together.  New EP \u003c\/span\u003e\u003cspan\u003eIt’s Glass\u003c\/span\u003e\u003cspan\u003e evolves these ideas in ways that sound both bigger and more intimate, with five tracks that fit together as much as they color outside the lines, like small universes that could not exist without each other.  \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIt’s Glass\u003c\/span\u003e\u003cspan\u003e was recorded at Hyde Street Studios in San Francisco, a renowned studio who has hosted the likes of Neil Young, the Grateful Dead, and Willie Nelson, over six days in May.  Having access to a professional studio with a myriad of new gear allowed the band to forge ahead with a breadth of renewed ideas without losing any of their endearing homespun quality.  Often spending up to eighteen hours a day in the studio, “the biggest restraint was working with and not against time.”  Although having access to instruments like an organ and grand piano broadened the technical horizons of their sound, the constraints of working within one set place also meant they had to get creative with the tools at their disposal (“like using a screwdriver guitar part where it might have made sense to have strings.”).  Often it boiled down to the band’s steadfast faith in their own personal connection, and the beauty that comes from unexpected moments in the studio, allowing many of the tracks to take on a shape of their own.  \u003c\/span\u003e\u003cspan\u003e“A lot of music recycles the same chords and melodic tendencies. It’s the emotion poured into these songs and the environment from which they are captured which makes them sound unique,” \u003c\/span\u003e\u003cspan\u003ethey explain.  A product of the intensified conditions where they were fleshed out, there’s a sense of magnitude laid bare within the deceptively simple compositions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis amorphous quality of these “weird little songs” is often what makes Dutch Interior special: the tracks can feel like a lofty exhale or a fragile manifestation, hung in the delicate balance of a moody ambiance that gradually sinks into you.  They often exist built on top of fragments of microscopic memory.  A somber and elongated intro then transforms into more melodic phrasing and finger plucking by Kurtz in “Play the Song,” an arrangement that evolved through a multitude of revisions and was initially abandoned before reborn in the studio, grafted with new meaning and context.  Repetition and the notion of being embedded in memory is key to the band’s process, something they reference as well in the shuddering instrumental of “Say Anything,” tearing apart the tissues of music to the point that it becomes both dissociative and reassuring. “It’s really inspiring to be consumed by music,” says Reeves, who wrote EP touchstone “I Have No Clue,” another track that meets somewhere in the middle between all of its prior (unreleased) iterations.   “I wanted the landscape that the other songs have… all roads leading to the version that feels right.”  Despite all the deliberate nuance of the EP, lead single “Ground Scores” stands out for its cautious optimism as a straightforward love song, revealing “how silly it is to be in love like this when the world is falling apart.”  This comfort with incessant change is tantamount to who the band are: it’s often the only constant.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Dutch Interior","offers":[{"title":"Compact Disc","offer_id":46037446393916,"sku":"avn1787252509438","price":7.48,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/6985\/2220\/files\/its-glass-ep_1.jpg?v=1787252518"},{"product_id":"dont-throw-your-love-away","title":"Don't Throw Your Love Away","description":"\u003cp\u003eJack-O \u0026amp; the Tearjerkers - Don't Throw Your Love Away\u003c\/p\u003e","brand":"Jack Oblivian","offers":[{"title":"Compact Disc","offer_id":46037447901244,"sku":"gbu1787252515462","price":8.52,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/6985\/2220\/files\/dont-throw-your-love-away_1.jpg?v=1787252523"},{"product_id":"down-in-heaven-10th-anniversary-edition","title":"Down In Heaven (10th Anniversary Edition)","description":"\u003cp\u003e10th Anniversary Edition of Twin Peaks' seminal 2016 full-length Down In Heaven. Limited pressing on 1,500 parchment colored vinyl. 12\" includes colored flexi discs featuring Down In Heaven era rarities \"Who's It Gonna Be\" \u0026amp; \"Back Door.\"\u003c\/p\u003e","brand":"Twin Peaks","offers":[{"title":"10th Anniv. Vinyl","offer_id":46037449900092,"sku":"yha1787252520322","price":18.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/6985\/2220\/files\/down-in-heaven-10th-anniversary-edition_1.png?v=1787252528"},{"product_id":"dry-dreams","title":"Dry Dreams","description":"\u003cp\u003eRemastered and back on vinyl!  The follow-up to Catholic Boy, Dry Dreams is leaner and colder than it's predecessor. Jim Carroll trades the debut’s raw shock for a darker, more cinematic intensity: jagged guitars, haunted melodies, and street-poet lyrics that feel like midnight transmissions from New York’s underbelly. Featuring “Work Not Play,” “Lorraine,” and “Barricades.” Long overshadowed, now reclaimed — Dry Dreams stands as a crucial second chapter of the bands career.  Cover photo by Annie Leibovitz\u003c\/p\u003e","brand":"The Jim Carroll Band","offers":[{"title":"Vinyl","offer_id":46037449932860,"sku":"rrn1787252520536","price":14.26,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/6985\/2220\/files\/dry-dreams_1.jpg?v=1787252529"},{"product_id":"for-young-hearts","title":"For Young Hearts","description":"\u003cp\u003eSoccer Mommy celebrates the 10th anniversary of 'For Young Hearts' with a special edition limited pressing on pink vinyl.  The 2016 album's eight tracks are noticeably different than anything she'd released previously.  While not a drastic sonic departure from its two preceding bedroom recordings, it certainly separates itself with a strong sense of newfound confidence.  Allison bridges the gap between singer-songwriter and full on performer with warm honey-like vocals, playful pop hooks, and energetic melodies. For Young Hearts doesn't just shimmer, it blooms from start to finish.\u003c\/p\u003e","brand":"Soccer Mommy","offers":[{"title":"Pink Vinyl","offer_id":46037449998396,"sku":"lsg1787252520636","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/6985\/2220\/files\/for-young-hearts_1.jpg?v=1787252529"},{"product_id":"maps","title":"Maps","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMaps, from NYC rapper billy woods and LA producer Kenny Segal, was their first full collaboration since 2019’s Hiding Places. Four years after that landmark record, the duo have reunited with a vengeance. Maps is a story of the road, or roads, taken and untaken; of living the dream and dreaming of another life. It is an album about trying to find your way home, after making your home wherever you lay your head. “Kenny and I made more songs together before Hiding Places than we did after,” woods says. “I think we only collaborated once over the last four years and although we didn’t talk about it, I think we wanted to let that energy build again. Neither of us wanted to make Hiding Places 2. We needed to go on other journeys, artistic and otherwise, to come back and do something fresh.” Produced in full by Kenny Segal, Maps features Danny Brown, ELUCID (Armand Hammer), Shabaka Hutchins, Sam Herring (Future Islands), Quelle Chris, Aesop Rock, Benjamin Booker, and ShrapKnel. Segal moves effortlessly through styles but everything is underpinned with deep basslines and mean drums laid down like railroad tracks. Weaving between poignant memoir, deadpan humor, and incandescent bursts of surrealism, Maps cements both artists’ place amongst the best of their time.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"billy woods \u0026 Kenny Segal","offers":[{"title":"Vinyl","offer_id":46037450031164,"sku":"ymc1787252520650","price":29.2,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":46037450063932,"sku":"ohu1787252520651","price":10.88,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":46037450096700,"sku":"qsk1787252520652","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/6985\/2220\/files\/maps_1.jpg?v=1787252529"},{"product_id":"the-man-from-the-hill","title":"The Man From The Hill","description":"\u003cdiv\u003eLittle Willie Farmer is living proof that Mississippi continues\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eto produce deep blues. The 62-year-old guitarist is neither a\u003cbr\u003esoul modernist nor revivalist, but simply a small town auto\u003cbr\u003emechanic who’s never shaken his love for old school legends\u003cbr\u003elike Muddy, Wolf and Lightnin’.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003eA lifelong resident of tiny Duck Hill, located in the hills east\u003cbr\u003eof the Delta, Farmer grew up on the family farm. He first took\u003cbr\u003eup the acoustic guitar in his early teens, and through picking\u003cbr\u003ecotton soon saved up enough money to buy an electric\u003cbr\u003einstrument.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003eHe played for audiences at home and at school events, and\u003cbr\u003elearned about blues and R\u0026amp;amp;B mostly through listening to a\u003cbr\u003epowerful station out of Nashville.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e“John R of WLAC, that’s how I listened to Lightnin’ Hopkins,\u003cbr\u003eHowlin’ Wolf. That’s how I got my first album by Lightnin’ [The\u003cbr\u003eFire Records LP Mojo Hand]. I got the address off the radio and\u003cbr\u003ethey sent it.”\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e“I learned Lightin’ pretty good, and then I went to B.B. I can\u003cbr\u003eplay all the up-to-date stuff now—B.B., Little Milton—but I like\u003cbr\u003ethe old stuff, that’s the real blues. The blues they’re singing\u003cbr\u003etoday, that ain’t blues to me, it just doesn’t have the feel.”\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003eAlthough Farmer is from a musical family, he didn’t learn\u003cbr\u003emuch directly from his elders. His maternal grandfather had\u003cbr\u003eplayed the fiddle as a young man, but he rebuffed Willie’s offer\u003cbr\u003eto buy him a new instrument when he discovered the high cost.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003eWillie’s father Alex, a harmonica player who helped young\u003cbr\u003eWillie tune his guitar, had played as a young man with his\u003cbr\u003ebrothers including Walter, who was recognized as one of the\u003cbr\u003ebest guitarists to come out of the area.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003eIn the early ‘50s Walter played together with Leo “Bud”\u003cbr\u003eWelch, who grew up in the region. Sadly, Walter was killed in\u003cbr\u003eChicago in 1964—“a woman liked Walter, and a man got\u003cbr\u003ejealous and killed him”—and Willie never heard him play.\u003cbr\u003e\u003cbr\u003eIn his early ‘20s Farmer joined a loose knit band that played\u003cbr\u003eat juke joints across the area—in Duck Hill, Grenada,\u003cbr\u003eKilmichael, and down in the Delta in Greenwood and\u003cbr\u003eCharleston. He eventually tired, though, of the rough-and-\u003cbr\u003etumble clubs where “people liked to fight like crazy.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003eFor about fifteen years Farmer worked regularly with local\u003cbr\u003esemi-professional gospel groups, including the Rising Sun\u003cbr\u003eSingers, who appeared on TV and over the radio in Greenwood,\u003cbr\u003ethe Angelettes, and, for nine years, the Grenada-based\u003cbr\u003eSilvertone Gospel Singers.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003eFarmer eventually decided he wanted to get back into blues\u003cbr\u003eactively. He initially didn’t want to deal with the trouble of\u003cbr\u003ekeeping together a band, and began playing solo gigs.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003eIn 2003 he helped found the annual Grassroots Blues\u003cbr\u003eFestival, staged in a meadow outside Duck Hill. Through the\u003cbr\u003eevent and he befriended downhome blues players from across\u003cbr\u003ethe state including Willie King and Leo Welch.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e“The Man From the Hill” marks the first time that he’s spent\u003cbr\u003eserious time in the studio. Recorded over multiple sessions at\u003cbr\u003eProducer Bruce Watson’s Memphis based Delta-Sonic Sound\u003cbr\u003eStudio. Farmer enjoyed working in a North Mississippi Hill\u003cbr\u003eCountry vein with Jimbo Mathus and session drummer George\u003cbr\u003eSluppick. He even dipped back into gospel, singing harmony\u003cbr\u003etogether with Memphis’ Barnes Brothers on [the Sensational\u003cbr\u003eNightingales’] At the Meeting.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003eFor the past thirty years Farmer has run his own auto repair\u003cbr\u003eshop, and hopes that the release of this record and associated\u003cbr\u003etouring will allow him to retire.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e“I’m trying to get out of that shop, I’m tried of messing with\u003cbr\u003ethose cars. It’s been a long time.”\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cb\u003eSide A:\u003c\/b\u003e \u003c\/div\u003e\n\u003cdiv\u003e1. Feel So Bad\u003c\/div\u003e\n\u003cdiv\u003e2. Shake It\u003c\/div\u003e\n\u003cdiv\u003e3. Break Bad\u003c\/div\u003e\n\u003cdiv\u003e4. Fist Full of Dollars\u003c\/div\u003e\n\u003cdiv\u003e5. Millionaire\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003eSide B:\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e6. Come Back Home\u003c\/div\u003e\n\u003cdiv\u003e7. At the Meeting\u003c\/div\u003e\n\u003cdiv\u003e8. I Am the Lighting\u003c\/div\u003e\n\u003cdiv\u003e9. Daddy Was Right\u003c\/div\u003e\n\u003cdiv\u003e10. The Man from the Hill\u003c\/div\u003e","brand":"Willie Farmer","offers":[{"title":"Vinyl","offer_id":46037450588220,"sku":"wnx1787252520722","price":11.22,"currency_code":"USD","in_stock":true},{"title":"Compact Disc","offer_id":46037450620988,"sku":"hbl1787252520723","price":9.24,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0676\/6985\/2220\/files\/the-man-from-the-hill_1.webp?v=1787252529"},{"product_id":"rebuilding","title":"Rebuilding","description":"\u003cp\u003eThe Official Motion Picture Soundtrack to the feature length film Rebuilding. Guitarists Jake Xerxes Fussell and James Elkington join forces for Rebuilding, the original soundtrack to the motion picture of the same name. Directed by Max Walker-Silverman \u0026amp; Starring Josh O'Connor, Meghann Fahy, \u0026amp; Amy Madigan. 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